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A cut sample of the dark grey board: a cool grey with stronger white veining running across it, photographed on a white bench.
Dark Grey sample board
A polished marble slab lying flat with bright rectangular reflections of overhead lights on its glossy straight-grained surface
Polish and reflection
Three polished stone slabs standing upright in timber frames, wrapped in clear plastic, side by side in a workshop. The faces are a flat grey-brown with fine straight parallel lines running across them, and the overhead lights reflect in long streaks along the polish.
Three slabs, wrapped
Three polished stone slabs standing upright in timber frames with a black steel square frame in front of the middle one, used to measure the board in the photograph. The faces are a warm grey-brown with evenly spaced straight lines, polished to a mirror finish.
Slabs with a size frame
Three polished stone slabs standing in timber frames with a black steel square frame in front of the centre board for scale. The stone is a warm grey-brown with even parallel lines running the width of the board, broken by a few darker knotty patches.
Slab face with a size frame
Three dark stone slabs standing upright on timber frames, banded with green straps and wrapped in clear plastic. The faces are a deep warm brown with long parallel waves of figure running across them, darker and more contrasted than the pale boards.
Dark figured slabs
Three stone slabs standing on timber frames, banded with green straps and wrapped in clear film. The faces are a mid warm brown with close parallel lines of figure running across them and a few lighter cloudy patches where the veins spread.
Figured slabs, wrapped
Three polished stone slabs standing in timber frames in an open workshop. The figure is wide and cloud-like rather than in close stripes: the veins have spread across the face, and the stone reads as a picture rather than as a wood grain.
Open-figure slabs
Three polished stone slabs standing in timber frames in a workshop. The figure is an open cloud-like pattern with the veining running in sweeping curves across the widest board.
Open figure, sweeping veins
Three pale polished stone slabs standing on timber frames in a workshop. The figure is in fine, closely spaced straight lines, and the polished surface carries a soft reflection of the roof lights along its top edge.
Pale slabs, fine straight lines

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Block

Dark Grey Marble Slab

Coffee Wood Marble · Dark Grey tone
FormBlock
FinishPolished
Color toneDark Grey
Thickness18 / 20 mm, 30 mm to order
OriginGuizhou, China
Indicative price
CountertopsFlooringWall Cladding

The grey board. Cooler than the other two, with the straight figure running through a grey-brown base — the same vein structure, taken to a quieter end of the scale.

It is the board that goes with grey joinery and stainless, and the one that does not fight a room with warm wood in it. The grain is still straight and still parallel, so it reads as timber even in a grey.

Slabs at 18 mm and 20 mm, with 30 mm to order. One 20-foot container holds roughly 450 m² of 20 mm slab.

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